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		<title>CONFESSIONS OF AN ECONOMIC HIT MAN  HEADING TO THE BIG SCREEN</title>
		<link>http://cinemalibrestudio.com/clsblog/2010/08/01/confessions-of-an-economic-hit-man-heading-to-the-big-screen/</link>
		<comments>http://cinemalibrestudio.com/clsblog/2010/08/01/confessions-of-an-economic-hit-man-heading-to-the-big-screen/#comments</comments>
		<pubDate>Sun, 01 Aug 2010 19:13:46 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
				<category><![CDATA[Confessions of an Economic Hit Man]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[cinema libre studio]]></category>
		<category><![CDATA[confessions of an economic hitman]]></category>
		<category><![CDATA[feature film]]></category>
		<category><![CDATA[global economics]]></category>
		<category><![CDATA[john perkins]]></category>
		<category><![CDATA[lee waterworth]]></category>
		<category><![CDATA[philippe diaz]]></category>
		<category><![CDATA[world bank]]></category>

		<guid isPermaLink="false">http://cinemalibrestudio.com/clsblog/?p=985</guid>
		<description><![CDATA[ 
 
CONFESSIONS OF AN ECONOMIC HIT MAN 
HEADING TO THE BIG SCREEN
 
Cinema Libre Studio has Acquired 
the Internationally Best-Selling Book 
by Former Economic Hit Man John Perkins,
 to be adapted into a Major Motion Picture
 
Production Slated for 2011 
LOS ANGELES, CA – CONFESSIONS OF AN ECONOMIC HIT MAN, the shocking and riveting behind-the-scenes memoir by John Perkins about his role in the game of global economics, rose to the top of Amazon.com during its first week in publication, and stayed on The New York Times Bestsellers List ...]]></description>
			<content:encoded><![CDATA[<p><em> </em></p>
<p><em> </em></p>
<p style="text-align: center;"><strong><em>CONFESSIONS OF AN ECONOMIC HIT MAN </em></strong></p>
<p style="text-align: center;"><strong>HEADING TO THE BIG SCREEN</strong></p>
<p style="text-align: center;"><strong> </strong></p>
<p style="text-align: center;"><strong><em>Cinema Libre Studio has Acquired </em></strong></p>
<p style="text-align: center;"><strong><em>the Internationally Best-Selling Book </em></strong></p>
<p style="text-align: center;"><strong><em>by Former Economic Hit Man John Perkins,</em></strong></p>
<p style="text-align: center;"><strong><em> to be adapted into a Major Motion Picture</em></strong></p>
<p style="text-align: center;"><strong><em> </em></strong></p>
<p style="text-align: center;"><strong>Production Slated for 2011 </strong></p>
<p><strong>LOS ANGELES, CA </strong>– <strong><em>CONFESSIONS OF AN ECONOMIC HIT MAN</em></strong>, the shocking and riveting behind-the-scenes memoir by John Perkins about his role in the game of global economics, rose to the top of <em>Amazon.com</em> during its first week in publication, and stayed on The <em>New York Times</em> Bestsellers List for 70 weeks; its sales have surpassed one million copies. Cinema Libre Studio, the Los Angeles based production and distribution company that specializes in socio-political films, has acquired the rights and is developing it into a feature film.</p>
<p>“Economic Hit Men,” John Perkins writes, “are highly paid professionals who cheat countries around the globe out of trillions of dollars.  Their tools include:  fraudulent financial reports, rigged elections, payoffs, extortion, sex and murder. They play a game as old as Empire but one that has taken on terrifying dimensions during this time of globalization.”  In the book, Perkins explains how Economic Hit men are backed by “Jackals,” or CIA operatives, who overthrow governments or assassinate their leaders when the Economic Hit Men fail. Because Perkins was unable to corrupt the heads of state of both Ecuador and Panama, they were assassinated.</p>
<p>The film will be a true-to-life depiction of Perkins’s adventures. It will highlight the international intrigue, corruption, and secret collusion between the U.S. government and corporations and expose activities that have dire consequences for American democracy as well as the world. It will show how Perkins used bribes, threats, and sex to convince the leaders of strategically important countries to accept enormous loans for infrastructure development, and to make sure that the lucrative projects were contracted to American corporations. Burdened by debts they could never repay, these countries fell under the control of the U.S. government, World Bank, and other U.S.-dominated aid agencies that in fact were loan sharks—dictating repayment terms and bullying foreign governments into submission.</p>
<p>The late Howard Zinn, author of <em>A People’s History of the United States</em>, described the book as “A sweeping, bold assault on the tyranny of corporate globalization, full of drama and adventure, with devastating stories of greed run wild.”  The musician Sting has said: “Perkins&#8217; books have helped me better understand something that has been puzzling me for a long time:  Why have so many resource-rich countries in the developing world remained steadfastly poor?  The answers he gives are both complex and uncomfortable, and none of us in the first world can abrogate responsibility easily.”</p>
<p>Since being released in 2004, <strong><em>CONFESSIONS</em></strong><em> </em><strong> </strong>went into an unprecedented fifth printing in only its fifth week and has unexpectedly topped the major top-selling book charts including:</p>
<ul>
<li>221 weeks on the Neilsen Bookscan Bestsellers List</li>
<li>25 weeks on the Los Angeles Times Bestsellers List</li>
<li>22 weeks on the Washington Post Bestsellers List.</li>
</ul>
<p>The book has sold a million copies in the U.S. and been translated into 30 languages. Other books by Perkins include: <em>Hoodwinked</em>, <em>The Secret History of the American Empire</em>, <em>Shapeshifting</em>, and <em>The World Is As You Dream It</em>.</p>
<p>Philippe Diaz, Chairman of Cinema Libre Studio, negotiated the deal with Perkins for an undisclosed sum.  Diaz and Perkins have worked together for several years, since Perkins was interviewed for the documentary film, <em>The End of Poverty?</em> directed by Diaz.  They traveled to Bolivia together where they shot footage for a television pilot, ‘One Country At A Time.&#8217;  Perkins expressed pleasure that his book is being adapted to film and says: “Bringing this story to the big screen will help many people around the globe understand the shocking facts behind the creation of the world’s first secret empire.”</p>
<p>Diaz, who will produce the film says, “There is the world-as-we-see-it before and after <strong><em>CONFESSIONS</em>.</strong> John’s book reads like a thriller but it is the first book to explain how the multi-national corporations played a shell-game to indebt third-world countries. Until a man named John Perkins had the courage – against threats to his own life and his family’s – to write this book, we could only guess how our system worked.  Now we know.”</p>
<p>Diaz has secured twenty-five million dollars in financing through European financiers with the balance of financing to be completed by a major American studio.  Above-the-line talent is currently in discussion with announcements on writer and director to be made in July.  Production will begin mid 2011 with a May 2012 completion date planned.</p>
<p>Cinema Libre Studio, an independent mini-studio best known for producing and distributing social issue films, has been involved with movies such as: <em>Uncovered: the War on Iraq</em>, <em>The End of Poverty?</em> and has released more than 100 films including the latest Oliver Stone documentary, <em>South of the Border, </em>the Sundance Audience Award-Winning <em>Fuel</em> by Josh Tickell, <em>Betty Blue: Director&#8217;s Cut</em> by Jean-Jacques Beineix and will release <em>Namibia: The Struggle for Liberation</em> by Charles Burnett and starring Danny Glover later this year.</p>
<p>For more information visit <a href="http://www.cinemalibrestudio.com/">www.cinemalibrestudio.com</a>, <a href="http://www.johnperkins.org/">www.johnperkins.org</a> or Twitter @ economic_hitman.</p>
<p style="text-align: center;"># # #</p>
<p><strong> </strong></p>
<p><strong>Media Contacts: </strong></p>
<p>Beth Portello</p>
<p>Cinema Libre Studio</p>
<p>(818) 349-8822</p>
<p><a href="mailto:bportello@cinemalibrestudio.com">bportello@cinemalibrestudio.com</a></p>
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		<title>In Variety: Philippe Diaz works with Iran crew – ‘Wind’s Eye’ completes shoot in America</title>
		<link>http://cinemalibrestudio.com/clsblog/2009/10/23/in-variety-philippe-diaz-works-with-iran-crew-%e2%80%93-%e2%80%98wind%e2%80%99s-eye%e2%80%99-completes-shoot-in-america/</link>
		<comments>http://cinemalibrestudio.com/clsblog/2009/10/23/in-variety-philippe-diaz-works-with-iran-crew-%e2%80%93-%e2%80%98wind%e2%80%99s-eye%e2%80%99-completes-shoot-in-america/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 20:27:52 +0000</pubDate>
		<dc:creator>cinema libre studio</dc:creator>
				<category><![CDATA[Cinema Libre Studio]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://cinemalibrestudio.com/clsblog/?p=84</guid>
		<description><![CDATA[Open door policy: L.A. lures Iran crew

‘Wind’s Eye’ completes shoot in America

By PETER CARANICAS

As the American public was riveted by the spectacle of riot police suppressing the massive demonstrations disputing the results of Iran’s June 12 election, one crack appeared in the wall between the two countries.

Surprisingly, Iranian helmer Masoud Jafari Jozani managed to secure visas for members of his cast and crew to travel to and film in the U.S. — the first Iranian production to do so since the 1979 Islamic Revolution.

“This would have been impossible a few months ago,” said Jozani from one of his Los Angeles locations. “Obama has changed things."]]></description>
			<content:encoded><![CDATA[<div>
<div>
<div>
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<p><strong><span style="color: #000000;">Open door policy: L.A. lures Iran crew</span></strong></p>
<p><strong><span style="color: #000000;">‘Wind’s Eye’ completes shoot in America</span></strong></p>
<p><span style="color: #000000;"> By <a href="http://www.variety.com/index.asp?layout=bio&amp;peopleID=3837" target="_blank">PETER CARANICAS</a></span></p>
<p>As the American public was riveted by the spectacle of riot police suppressing the massive demonstrations disputing the results of Iran’s June 12 election, one crack appeared in the wall between the two countries.</p>
<p>Surprisingly, Iranian helmer Masoud Jafari Jozani managed to secure visas for members of his cast and crew to travel to and film in the U.S. — the first Iranian production to do so since the 1979 Islamic Revolution.</p>
<p>“This would have been impossible a few months ago,” said Jozani from one of his Los Angeles locations. “Obama has changed things.”</p>
<p><a href="http://www.variety.com/article/VR1118008264.html?categoryid=13&amp;cs=1" target="_blank">Read more.</a></div>
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